There’s an inimitable off-kilt pop dexterity to all that Nikolaj Manuel Vonsild’s When Saints Go Machine contrive to fabric, and no longer is Iodine merely ‘a chemical element with symbol I and atomic number 53′ but instead also a massive splash from the Danes’ forthcoming third, Infinity Pool. It’s a record which, released in conjunction with EMI, may see the Scandinavian eccentrics enter into a more widespread cognisance and along with the Killer Mike-featuring Love And Respect, Iodine is an incontrovertible highlight that serves as a nebulous billow of avant-garde suavity pumped out of the experimental and into an all the more mainstream aesthetic – its chorus a deferential, if perhaps indirect homage to Kate Bush’s inexhaustible Running Up That Hill. And tirelessly excellent this one is, as well.
Dot Dot Dot
- Co-headlining @OfficialRandL, @qotsa & Paramore. @klaxons also join the bill: http://t.co/qBGHZgGzUR about 22 hours ago from Twitter for iPhone
- D&D meet with Taylor & Simon of @Timber_Timbre, to talk strippers, sensuality & their strongest LP yet, #HotDreams http://t.co/njxUAiFkzB about 1 day ago from web
- Authors of our #Recordof2013, @bukeandgase will release 'an audio snippet, improvisation or work in progress' weekly https://t.co/ygbgE9UJSR about 1 day ago from web
- Perhaps the precocious Scandinavians' most impressive song yet, stream @dbyungabunga's jingling, jangly Tambourine: http://t.co/rgQpAkG33O about 1 day ago from web