There’s an inimitable off-kilt pop dexterity to all that Nikolaj Manuel Vonsild’s When Saints Go Machine contrive to fabric, and no longer is Iodine merely ‘a chemical element with symbol I and atomic number 53′ but instead also a massive splash from the Danes’ forthcoming third, Infinity Pool. It’s a record which, released in conjunction with EMI, may see the Scandinavian eccentrics enter into a more widespread cognisance and along with the Killer Mike-featuring Love And Respect, Iodine is an incontrovertible highlight that serves as a nebulous billow of avant-garde suavity pumped out of the experimental and into an all the more mainstream aesthetic – its chorus a deferential, if perhaps indirect homage to Kate Bush’s inexhaustible Running Up That Hill. And tirelessly excellent this one is, as well.
Dot Dot Dot
- Newly announced for @OfficialRandL, @BrodyDalle and @bloodredshoes: http://t.co/zJU79dbyP2 about 1 day ago from web
- We're currently switching servers – again – hence today's drastic lack of activity, but should be back with it soon enough. #EnjoyTheSilence about 2 days ago from Twitter for iPhone
- Here's @giorgiomoroder putting his distinctive spin on @coldplay's #Midnight https://t.co/d4ls2fLbjy http://t.co/8ofXpRgaMB about 3 days ago from Twitter for iPhone
- Needing to burn off a few excess calories in the coming days? You could do worse than to stick Percussions' Sext on… http://t.co/Wr7Va9t8is about 1 week ago from web