Having recently reawakened our senses to his idiosyncratic take on hysterical Cumbia commotion, Chilean mainstay Matias Aguayo preludes the now imminent arrival of his landmark third LP The Visitor with another sprightly burst of ineffably hyper brilliance in the form of Levantate Diegors. Recently ditching his once hallmark minimal dance energies in favour of, well, stuffing his so-called ‘songs’ with as much carnivalesque vibrancy as is metaphysically possible, there’s a highly improvised feel to his latest endeavour – one which assumes the incantatory vibes of Brazilian Embolada and imbues them with a voodoo euphoria equivalently capable of incurring arm-aloft hedonism and sinister introspection as it shuffles almost whimsically between the spirited and the sinister. Although however it may well be perceived at any one point, it proves consummately produced throughout.
Dot Dot Dot
- An ode to intoxicants and the virtues (or a lack) thereof, stream Oh! Whiskey – a first from @Jimi_Goodwin’s #Odludek http://t.co/fMpfI8I9j0 about 13 hours ago from web
- Dots & Dashes review @sam_b_green & @TheRealYLT who together perform #TheLoveSongofRBuckminsterFuller http://t.co/DvGkKxIZpP @BarbicanCentre about 14 hours ago from web
- Anything but ordinary, Annie Clark, aka @st_vincent, returns with #BirthInReverse: http://t.co/KEmU4MA4aq @LomaVistaRC about 16 hours ago from web
- Dots & Dashes' #Recordsof2013 XV–VI, feat. @bEEdEEgEEsound, @trubluhawaii, @braidsmusic, @pickapiper & @sanferminband http://t.co/pC5SoeDqcp about 17 hours ago from web